This Floating Excrement Was Far Too Meaningful! These Are the Television Disappointments of the Past Year.

As we reflect on the TV landscape of the past year, a selection of series emerge not for their excellence, but for their spectacular shortcomings. From cringe-inducing sequels to bafflingly bad documentaries, here are the productions that left us utterly bewildered or just reaching for the remote.

And Just Like That

Where to begin with this divisive spin-off? Plagued with woeful writing, cringe-inducing character development (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the series fought to justify its existence. For a moment, as the final season began, it seemed as if it had at last hit its stride. Then arrived an episode all about Seema’s natural deodorant. No wonder the creator declared this would be the final season. It ended on a low point; the lingering shot of Miranda’s toilet full of poo was simply too symbolic. Yet, fans undeniably found joy dissecting every single “what on earth?” moment. And as Carrie – a single woman once more – danced around her palatial townhouse to Barry White, who couldn't let out a little sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the least of this drama's problems. The subject of a very rare no-star assessment, it was difficult to know where to begin enumerating the problems. The laughably wooden dialogue? The tedious glorification of affluence and consumption? The seemingly deliberate procession of tropes? Acting so poor they felt borderline malicious? Let’s just say “each and every one” and forget about this show again. However, a new season has been ordered, so we’re probably going to have to.

AKA Charlie Sheen

Given the legal troubles, abuse claims and parental shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not that you’d truly have known it from this multi-part docuseries which smirked its way at Sheen’s various episodes of self-destructive hedonism while struggling to tell us anything we weren't already aware of. Instead, it felt as if this loose cannon was being indulged, so any sympathy this series might evoke should be saved for the people who have had to suffer close contact with this charismatic but dismissive narcissist.

The Iris Affair

Of course we understood it was ridiculous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of sheer love for its stars … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.

The Gangster Drama

Shady characters convening in empty boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.

In truth, that is harsh on the crime shows of the late 90s. Many seem a little dated now, but at least they didn’t suffer the ignominy of having to indulge baffling dialects. But there were plenty of other issues. Primarily that it was just really dull; a dispute over drug-selling territory between various cockney rogues which seemed rather simplistic.

The Meghan Markle Series

Given the extent to which she provokes the ire of certain ostentatiously angry commentators, it’s almost easy to applaud the Duchess of Sussex’s televised forays into twee lifestyle as intentional provocations. But then you watch them and are compelled to concede that actually, they might have a point. It’s like watching a lifestyle magazine come to life; a meme for wine o’clock with delusions of grandeur; a parade of sleeping dogs, humming beehives, sentimental platitudes and forgettable crafting “hacks” you’ll not remember instantly. All underpinned by immense, mostly unearned wealth. Ugh.

The Beckham Documentary

There are obviously interesting things to be said about regarding Victoria Beckham and her struggles with career, self-image, self-acceptance. But for whatever reason, this documentary series opted not to say them. Rather, the viewing was akin to reading a marketing catalogue. She clearly has every right to bridle at what she describes as her “miserable cow” image. But unfortunately, she failed to do herself any favours with this guarded letdown of a series.

The Inheritance

It had the potential to be the next big hit – except even more extravagant, with a famous star as a deceased benefactor and a sharp-tongued personality managing her estate. What more could you want? As players battled it out, there was plenty of betrayal and arguing. But the rules quickly became bewildering: it’s still too confusing to detail what precisely was happening. Even more regrettably, we only saw glimpses of the star via filmed videos. The series ended up reeking of a programme that was straining desperately to emulate something way beyond it.

Too Much

How does one succeed a show that captured a generation? The pressure was enormous for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a broken heart. The lead actress seized the opportunity by the horns and was a delight to watch, reveling in Austen levels of romantic notions. But it was all very glossy and, ironically, was insufficient. Plus, the sheer amount of celebrity friends involved felt icky.

The Sketch Show Return

Not even good enough to be ‘uneven’.

Given the shrewd recruitment of talented emerging comics, hopes were high. But sadly, most of it fell flat. A recurring sketch was a single joke milked to a dry pulp but recurring in every episode. One star seemed too ready to slip into a well-known ranting mode. The writing room sketches, meanwhile, simply inspired the thought that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively presented the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this isn’t it. The material needed to be treated sensitively. Instead, the series laboured awkwardly to find the right voice, lumbering from oddly jaunty, somewhat stylised farce to inevitably, real-life horror. Complex? Arguably. A total mess? Very much so.

Prime Target

We love the star … but did we buy him playing the most brilliant maths genius since, a man so smart he’s on the verge of a breakthrough that could destabilise society? Nope! This international thriller about government agencies spying on – and killing off – academics honestly got more absurd by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This uncritical portrait followed the online personality notorious for explicit exploits as she undertook her biggest challenge yet. What on earth would motivate her? What we craved was way more interrogation of her true psyche, plus those of the men in the queue. They could at least have interviewed the now-famous mum who appeared to haul her son out of the queue. What we got was disturbing shots and zero critical analysis of her notoriety whatsoever. And to think, the filmmaker has a teenage daughter too.

Janet Johnson
Janet Johnson

A tech journalist and digital strategist with over a decade of experience covering emerging technologies and consumer electronics.